Satyam Jewellery Nx

• Traditional Look
• Perfect finish
• Beautiful Design
• Gorgeous Look 
• Bangle size: 2.4,2.6,2.8,2.10

The enamelling work done on any metal surface is called as meenakari art. When the word ‘meenakari’ is split into two according to their meaning, it becomes ‘meena’ and ‘kari’. The word ‘meena’ stands for ‘enamel’ and the word ‘kari’ stands for ‘art’. Thus the word ‘meenakari’ means ‘art of enamelling’. The art of Meenakari has its roots to Persia. In Persian language ‘meena’ word stands for ‘heaven’, ‘the azure colour of heaven’. The craftsmen of Iran in Sassanid era invented this art. The art of decorating the metal surface by fusing the minerals and treated substances to it is called as enamelling. This is one of the ancient arts found in history. This was spread to India and other countries by Mongols. The French tourist, Jean Chardin, who visited Iran during this era noted the works of enamel in Isfahan, which involved the pattern of birds and animals on a floral background in light blue, red, yellow and green. Some historians also link this enamelling history to Arsacides period. However, the use of enamel is unclear till the seventh ruler of Mongol ‘Ghazan Khan’ (1271A.D – 1304A.D), who acquired the knowledge of chemistry in a very short period of time and preferred to use his knowledge in the art of enamel making, practically.

This art initially flourished at Jaipur in India, as the king of Amber (Jaipur) Raja Man Singh invited the five skilled enamel artists from Lahore to Jaipur in 16th century. Thus, this art became famous among the Mughals and the Princes of Rajasthan. And now Jaipur is the center of traditional meenakari production. Later this kundan meenakari jewellery was also practiced in Bikaner, Delhi and Benares, while glass enamelling was practiced at Pratapgarh. Here in Pratapgarh the pink hue on white enamel of lotus motif was characterized mostly. This style was also brought to India in the 17th century by the Persian craftsmen who visited the Avadh court at Lucknow. Enamel was first applied commercially to sheet iron and steel in Austria and Germany in about 1850. Enamelling was one of the favourite techniques of the Art Nouveau jewellers.

Enamelling is an old technology, which is widely adopted. The coloured stones and glass are crushed into fine powder and prepared for enamelling. But now a days some chemicals including ferrous salts, cobalt oxide, copper salts, and other salts are used for the preparation of enamel. These chemicals are mixed according to the metal used for the meenakari jewellery making.

Initially meenakari work was often unnoticed as this work was done on the backside of the fabulous stone studded kundan jewellery. But later this also gave the special joy for the wearer who noticed this special design of meenakari at the back of kundan jewellery. The most often seen motifs in meenakari jewellery are flowers and foliage, peacocks, parrots and elephants.

Wholesale rate will be different.

Gold Plated designer Bangles Antique Bangles Set copper base material used jewellery for modern Women Only. Traditional Bridal wear bangle

• Traditional Design
• Gorgeous Look
• Red & White Ruby
• Beautiful Look
• Bangle Size-2.2,2.4,2.6,2.8 ALL size available

Wholesale rate will be different.

Gold Plated designer Bangles Antique Bangles Set copper base material used jewellery for modern Women Only. Traditional Bridal wear bangle

• Traditional Design
• Gorgeous Look
• Red & White Ruby
• Beautiful Look
• Bangle Size-2.2,2.4,2.6,2.8 ALL size available

Wholesale rate will be different.

Gold Plated designer Bangles Antique Bangles Set copper base material used jewellery for modern Women Only. Traditional Bridal wear bangle

• Traditional Design
• Gorgeous Look
• Red & White Ruby
• Beautiful Look
• Bangle Size-2.2,2.4,2.6,2.8 ALL size available

Add a regal charm to your jewelry collection with these intricately designed gold-finish bangles by SJNX. Featuring a mesmerizing floral pattern throughout, these bangles are accentuated with pastel enamel inlays and embellished with alternating ruby-red and emerald-green stone settings framed in delicate zircon halos. The craftsmanship showcases a fusion of traditional artistry and modern elegance, making them a perfect accessory for weddings, festive occasions, or cultural celebrations.

Key Features:

• Product Code: SJNX-BA-400

• Finish: Antique gold tone with intricate floral etching

• Accents: Pastel enamel work (pink and blue)

• Stonework: Ruby and emerald colored stones with zircon detailing

• Set: Includes 4 bangles

• Ideal for: Festive wear, weddings, and traditional functions

This is a single, broad kada, or traditional Indian bracelet, with a heritage design. The kada has a rich, antique gold finish and a textured, hammered surface that gives it a vintage look.

The central band is a dark green enamel, adorned with three distinct stone settings. The center stone is a rectangular, light teal-colored gem, flanked by two floral motifs with red and green stones and small, white pearls. This intricate detail is repeated in a second, identical row above and below the green enamel band.

The top and bottom edges of the kada are finished with a twisted rope design. A key feature is the decorative jhumki (dangle) embellishment. Small, round beads, also in the same antique gold finish, hang in clusters all along the bottom edge of the kada, creating movement and a classic, festive look.

Overall, the kada is a statement piece, blending traditional craftsmanship with bold design and a touch of color.